An interview with Keith Harris
Thursday, January 25th, 2007
Keith Harris was general manager of Motown, has managed Stevie Wonder for 30 years, is currently director of performer affairs at collecting society the PPL and chairman of the MusicTank network at the University of Westminster.
Were you disappointed there wasn’t more public support for extending copyright on sound recordings? When the issue was raised, it was all about Cliff Richard, and no one wants Sir Cliff to get richer…
In my opinion the record industry has absolutely made a rod for its own back. We’ve not really endeared ourselves to the public over the years.
And journalists have found it easy pickings in terms of creating a story about the big bad record company out to get as much money as possible. And you know, a lot of that is because of the way the industry has operated.
The more you get artists who are dissatisfied – and in many cases they’re entitled to be, given the way deals have worked out financially – the more that reinforces that view. But it’s lazy journalism a lot of the time because if you just knock the record company and support the artist, you’re always going to win.
Where the industry’s at fault is that we haven’t really taken any steps to explain the issues.

