It’s open season now. BT is the latest company to sue Google, alleging patent infringement, but this latest barrage extends beyond Google’s Android software – it touches to other Google services too. These include maps, music, social networking and its advertising services, including Adwords, claims BT. Continue reading “BT’s gift to Google: A patent war over ads and Android”
The Business Department BiS has launched a copyright consultation, inviting views on the recommendations raised in the "Google Review", as the "Hargreaves Review into IP and Growth" became known.
Hargreaves was tasked with looking for changes in UK IP law that could stimulate economic growth. Ian Hargreaves’ review featured significant input from the IPO, formerly the Patent Office, which was once at the Ministry of Fun, but is now an ideologically supercharged hothouse within BiS. Hargreaves and the bureaucrats faced two significant challenges.
One is that the small and medium-sized businesses that try and create wealth using the patents and copyright systems have a very different view of the "problem" than Google does, or a bureaucrat does. Patents are ruinously expensive for a clever inventor to defend, and many can’t afford to do so. Copyright can’t be cheaply or effectively enforced online – a big problem for the entire supply chain in various sectors from photographers and visual artists, to independent film makers, to labels – to name just a few.
When digital SMEs were actually asked what they thought of the IP landscape, they were quite emphatic. Only 10 per cent thought copyright was unfair, 7 per cent said it stopped them innovating, and only 5 per cent thought the UK copyright regime stopped them innovating. Large majorities of two-thirds or three-quarters thought copyright fair, and encouraged innovation. These figures, by the way, are from a report included in Google’s submission, created at Google’s expense… [pdf].
Over half of SMEs want better enforcement of their rights as inventors and creators. 52 per cent of SMEs said the costs of IP enforcement deterred them from using the system. It might have been expected, therefore, that Hargreaves would focus his time on enlightened enforcement suggestions, making policing cheap to stimulate growth.
But any attempt to enforce IP brings out the Chicken Little crowd, honking furiously that the sky is falling in on them. To enforce copyright online risks destroying the Unicorns’ natural habitat: the cybernetic meadow.
Hollywood’s big plan to update the industry for the digital era – UltraViolet – comes to the UK on 26 December, the consortium behind it has revealed. It will be an inauspicious start, represented by just one new movie release, but there’s no mistaking the ambition of the project. Three years in the planning, UV is Hollywood’s attempt to get right what the music business has got woefully wrong, and it isn’t unreasonable to describe it as the biggest shift in thinking in the history of the movie industry.
Since the launch of VCR systems in the mid-1970s, consumers have merely bought a limited licence to watch a movie. New formats have been an excuse for Hollywood to get us to repurchase the content. But digital networks have made a nonsense of that notion, and enabled a huge new range of diverse devices and formats.
The poor will still be with us in the future, according to a futuristic video by Microsoft’s Office Labs team – but at least technology will be able to keep our distance from them.
Continue reading “Microsoft’s futurologists virtualise the poor”
Tech startups that can truly be considered game-changers are rare – especially in Shoreditch. The more hype that the Silicon Roundabout “leisure startup” scene receives, the more painfully apparent it is that the emperor has no clothes – see these comments for example. Which is a pity, for less attention is paid to genuinely creative British tech startups.
I’ve rarely seen something as startling as Muvizu, the PC software from Digimania which allows a seven-year-old to start creating something a lot like Toy Story. The startup emerged from the ashes of the DA Group, which was previously Digital Animations. New investors took over the ashes and had an idea.
Perhaps the 3D power of games engines such as Unreal could be put to make a genuinely easy-to-use, consumer-level animation software. The development team had the chops for this; it was the team behind animated newsreader Anna Nova, for those of you who remember the first dot.com boom. And so Muvizu was unveiled two years ago.
You can get a glimpse of what you can do with it from this video – our sister site Reg Hardware reviewed it recently here.
It’s still a tiny startup in Glasgow, with a core team of half a dozen developers, but since then it has added a clutch of features: you can build your own models and characters, edit timelines, move cameras, create custom textures, and introduce anti-aliasing. Huge libraries of animations and art assets are now available. You can’t import your own characters – but you can customise with textures.
It has notched up 138,000 downloads since August 2010, CEO Vince Ryan tells us. Muvizu took a community approach – and it is a lively place for users to share and swap assets and collaborate. It’s useful for anything from 30 second funnies to in-house training videos.
But with no visible revenue, I was curious to see how Muvizu was paying the rent. Long-term it makes an enviable acquisition target for an Adobe or a Google – but for now it’s looking to collaborate with animation companies, toy-makers or TV companies that want to extend their brand to their fanbase, allowing them to knock together their own stories and content.
A new version is due on 19 December.
“Rely on the sun and the other eco-friendly things that Mother Earth has given us. We need to stop being dependent on the corrupting effect that is oil now!”
– HuffPost Super User “ProgressivePicon86”
The next energy revolution is coming – and promises the biggest disruption since the industrial revolution.
Today we assume that oil is a finite resource. The “Peak Oil” argument, for example, is not that it runs out, but that conventional sources run down, and it becomes prohibitively expensive. This obliges us to think about re-ordering society. The other assumption is that the exploitation of fossil fuels creates the rapid release of carbon dioxide into the atmosphere, changing the climate. Along with this, too, are arguments for re-ordering society. But with the next generations of fuels, these assumptions go out of the window. Policies based on these assumptions lose their relevance and appeal.
This promises a fundamental change in how we think about man, industry and nature. Just as Karl Marx anticipated a future of machines, where manual labour had been replaced by automation, we need new political thinking.
Replacing oil, however, isn’t so simple. The problem is that oil is a terrifically energy-dense material, and useful in many other ways. Entire industries are founded on the byproducts alone, such as fertilisers and plastics. We tend to take this for granted.
But what if oil could be created in your backyard? Or by your children as a school project? What if we thought of oil as a renewable energy? What if it was a low-carbon renewable? With cheap hydrocarbons it becomes just that, and within 15 years much of our oil will be produced this way: it’s simply an open bet on who’ll get there first.
Continue reading “Synthetic renewable oil: what’s not to like?”
Talk about an inconvenient fact. A survey into US attitudes to internet piracy shows strong public support for blocking access to websites guilty of serial copyright infringement. No fewer than 58 per cent support the idea of ISPs blocking the pirate sites, and 36 per cent disagree with this. Of the respondents, 61 per cent want sites like Facebook to take more action to screen for infringing material.
This may not be what the corporate sponsor Google, which benefits from internet piracy and fights enforcement proposals, had in mind when it funded the research. Google is currently leading the opposition to the new SOPA legislation in the US, which obliges service providers to take greater responsibility.
Perhaps, as in Brecht’s poem, Google wishes “to dissolve the people and elect another”, until they get the answer they want.
Continue reading “Oops: Public supports web-blocking in Google-funded poll”
“I can never understand computers. It’s a very middle-class thing”, Smith tells Mojo magazine in an interview.
Smith also berates people for using online banking and for Web2.0rhea: “You always thought people are daft but you give ’em the benefit of the doubt, but they are as f**king daft as you thought.”
Has he got a point? Well, statistically he’s correct: some 17 million Britons are internet refuseniks – and whenever a new “initiative” flies in from Martha Lane-Fox to put this “right”, we can’t helping thinking that Smith is onto something: a traditional Fabian distaste of the proles.
Lane-Fox, the lastminute.com co-founder who was voted Britain’s most over-rated entrepreneur, is on a personal mission to brighten the lives of people on “horrible council estates” – people who prefer shouting across the street to tweeting and real communities to online communities.
“I don’t think you can be a proper citizen in our society in the future if you’re not online,” reckons Fox.
This is why people own Staffordshire bull terriers. It’s not a lifestyle choice; it’s a necessity.
Source: Mojo interview.
Energy Minister Christopher Huhne has an opinion piece in the The Daily Telegraph today – and it’s really an 800-word explanation of why we need a new Energy Minister. The subject of Huhne’s essay is new, cheap gas.
The article finds the minister on the defensive about shale gas: it’s why he’s taking his argument into print. Huhne doesn’t like this exciting new development, but he doesn’t have the power to kill it. He welcomes it through gritted teeth before explaining how many handicaps could be put in its place: the ownership of the land, the regulatory framework, the planning hurdles, and so on.
(France has bowed to its powerful nuclear lobby by imposing a moratorium on unconventional gas exploration, but since France’s electricity is already so cheap – the cheapest in Europe, in fact – it doesn’t need shale anything like as much as the rest of Europe does.)
Huhne writes that the Coalition’s energy policy is “technology neutral” – a claim guaranteed to invite widespread public ridicule. The UK’s energy policy is anything but “technology neutral”. It’s full of measures created by lobby groups for their respective energy sectors.
Continue reading “The League of Handicapping Gentlemen”
MPs heard a spirited debate about digital rights this week – including the digital rights you might or might not have as an amateur creator.
Big media companies would like the freedom to use artwork they find on the web without having to worry about lawsuits or negotiating market rates with creators. The web is awash with unattributed “orphan works” – and thanks to cheaper technology, social networks and self-publishing, there’s more being published than at any time in history.
There’s also a strong case for releasing enormous amounts of cultural work that doesn’t have a traceable author, and institutions such as the British Library would like to release this and commercialise it. These are also, confusingly, called “orphan works”.
The problem is, how can you release these cultural works without imperilling the professional market or the rights of amateurs whose work can end up as valuable front page commodity?
Continue reading “Your digital rights? Collateral damage, sorry.”